Highlighting Female Winemakers of Washington
Most of us know (and are quite proud) of Washington's booming wine industry; last time I checked the Washington Wine Commission, the number of wineries had increased to an impressive 580! While we refill our wine glasses and raise them in celebration, let's throw in one more celebratory fact; how many of these Washington wineries boast a female winemaker?
This idea crept into my head when I read Suzi Beerman's article about female winemakers. Aptly called From Grape to Glass, Women Make Washington Wine, the writer provides interesting background information about the people behind some of the popular Washington wines, stressing on gender mainly because in the traditionally winemaking has been hyped as a best-done-with-muscular-arms-on-a-man sort of profession.
And thus I came up with this list. Do note there is an impressive number of female winemakers but for this article I am writing about a few noteworthy ones who are making waves in the wine industry. A few of them are winemakers featured in Beerman's article but a number of them are names I came across via the Washington Wine Commission website.
1. Forgeron Cellars in Walla Walla. Marie-Eve Gilla, who is part owner and winemaker, definitely seems to have found her life's calling when she turned to winemaking. As it is, her name has been espoused by those who compare Walla Walla to "the next Napa"!
2. Chinook Wines in Prosser. Twenty-five years of winemaking means this winery is in a genre all by itself. Kay Simon and Clay Mackey are the experts behind this popular brand; Simon is the winemaker whilst Mackey is the viticulturist where their love for the profession blends with their vast expertise to bring us some rather delightful wines like the Chinook Wines Cabernet Franc Rosé which recently won the 2008 Washington Wine Award for best Rosé.
3. Nefarious Cellars in Chelan. Another husband and wife team. Dean Neff is the brains behind the red wines while Heather Neff adds the know-how to the white wines. Incidentally, Heather's 2006 Viognier was in the spotlight in the 2008 Washington Wine Awards; it was a tie with Rulo Winery's delicious Viognier.
4. aMaurice Cellars in Walla Walla. An excellent winery run by the Schafer family. Anna Schafer is the winemaker in this team where they pool together their knowledge and expertise to produce some of the tantalizing Washington wines. Interesting news bit - in 2007 Seattle Magazine referred to her as "Washington's hottest young winemakers who are changing the face of Washington wine ...".
Ami K.
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2008 Jazz Discs Through the Eyes of AMG
Anthony Braxton - Beyond Quantum Braxton is one of the most difficult yet rewarding modern jazz players around. While switching between saxophone, clarinet and flute he’s able to evoke a range of sounds and emotions – some more volatile than the next, but always thoughtful. Joined here by William Parker, Braxton delves into more free jazz theoretical ideas. No doubt spurred on by John Zorn, whose Tzadik label released this disc, this album aptly continues Braxton’s legacy.
Charles Lloyd - Rabo de Nube Lloyd sits in some weird purgatory between traditional jazz and its freer improv inclinations. Probably most evident of this middle ground is his ‘60s live recording at Monterey along with Keith Jarrett. Rabo de Nube (roughly translated as Tail of a Cloud) is also a live disc, coming just in time for the sax player’s 70 birthday. The folks that he’s surrounded himself with for this outing seem to push Lloyd into creative spaces that not too many players of his vintage can reach any longer.
The Bennie Maupin Quartet - Early Reflections Having played with Herbie Hancock and releasing one of the all time great atmospheric jazz albums, The Jewel in the Lotus, Maupin’s music still has a great deal of opportunity to change. Enlisting European players for this date may have given him the chance to do so, but Early Reflections finds the multi-instrumentalist indulging in more laid back tones. Nothing can really be said against sticking with what works, and this disc again proves that point.
Willie Nelson/Wynton Marsalis - Two Men with the Blues No one should pretend that Wynton Marsalis is a great jazz musician. What he should be commended for is working to maintain the status of jazz in the greater American culture. Without his efforts the broad availability and general appeal of the music might be drastically different. And here Marsalis is paired with a great song writer and another musician who is as uniquely identifiable as an American. Working with Marsalis’ group, Nelson stays within the scope of what a jazzbo might traffic in song-wise. Considering Nelson’s background of incorporating as much as possible into his music, this combination of players recasts American standards with unique application and distinct voices.
William Parker - Double Sunrise Over Neptune Parker holds the distinction of being included on this list twice (he accompanied Braxton on Beyond Quantum). For this date, he assembled an enormous group in order to coax the sounds out of each player required for Double Sunrise Over Neptune. Again, Parker is noted for his freer playing and this date is no different. It plays as a singular offering, simply divided into tracks for the ease of digital playback. It’s not his musical thesis, per se, but it does go a long way to investigating his variegated approach to music.Steve Reid Ensemble - Daxaar
If Steve Reid had not been recently playing with Four Tet (Kiernan Hebdon), it’s pretty likely that Domino wouldn’t have released this disc. Reid’s an unsung drummer who has had his profile raised in the last few years following the releases of Tongues and NYC. Both of those discs seemingly reinvigorated a career that has touched on all types of music. And here Reid and his group work in a percussion heavy African mode. While the performances are given to wanderings – like a great deal of “spiritual jazz” – rewards are bountiful upon repeated listening. There are sections that, while brief, sound as if they could constitute an entire track.
Storing your Wine
When you start buying specific wines because you like them, you start buying wine by the case, because, well, you're going to drink it, eventually, and it's cheaper by the case. Now, me, for instance, I found a Washington Shiraz I liked very much indeed, and then I found a Riesling, and a Gewürztraminer . . .
Before you know it, instead of a couple of bottles in a cupboard, and an opened bottle in the 'fridge, you've got 36 bottles of wine.
They won't all fit in the cupboard, and there's no sense in putting a Shiraz in the fridge, and so you start thinking about what to do with all your lovely wine. Now, oenophiles will buy wines with the intent of keeping it until it "ages," and "develops," for several years—but they're also buying wines that are upwards of $25.00 a bottle.
That's not what I'm talking about right now, though maybe, some day . . . I'm talking about the table wines that you find locally, possibly from artisanal winemakers, or bottles from a particular winery that you got an amazing deal on. We're talking storing wine so you can enjoy it later, rather than storing wine to age it. We're talking about storage for two years or less.
First of all, these are the things you want to avoid. Don't store your wine where it will be exposed to:
- Light
- Odor
- Vibrations (from motors, or fans, or compressors, for instance)
You want the location to be:
- Warm (around 54 degrees F. but not higher than say 68 F)
- Dark
- Quiet
- Dry
- Very little fluctuation in temperature
That means not on top of the fridge, or in an open wine rack in the kitchen. But possibly inside a cool cabinet, with a door you can shut, or a linen closet, or a coat closet.
You could certainly buy special shelves or wine racks, but honestly, an empty cardboard wine box meant to hold a dozen bottles from your local store, turned on its side, is quite adequate. You'll want to turn the wine bottles on their side, whereever you store them, to keep the cork moist. Traditionally, you'd store your wines "label side up," so you could watch for sediment, but with modern table wines, that's less of an issue—but do keep an eye on sediment with artisanal wines. You also want to make very sure that the temperature is fairly constant, not a lot of fluctuation on either side of 54 F. And you don't want to shift the bottles around, either. Store them until you're ready to move them in order to drink them.
Now, if you want special shelves/wine racks, there are a lot of possibilities that won't break the bank. Make sure that the racks will fit your space though, and that your cabinet or closet door will close properly. There are options at Ikea, ranging from Hutten 9-bottle $9.99 wood racks, to Omar, self-assemble metal racks that hold 24 bottles at $34.99. Or you can take a look at Crate & Barrel for something a bit more exotic.